Taking the classic “Boom Box” sound as its foundation, Lowender expands on the concept in several ways:
Firstly, it offers switchable frequency ranges so that the low frequencies can be matched to the program material.
Secondly, the generated subharmonics are passed through a gate adapted for low frequencies, which is useful for cleaning up unwanted bass (for example, between kick drum hits in a drum loop).
It’s simply magic. There’s nothing like it on the market.
Bob Katz
III, Lowender, passes the bass material through an output section consisting of an overdrive circuit and a low-pass filter. The movement or compression of the new low frequencies is necessary to even out their dynamics and allow them to fit well into the mix. The variable low-pass filter is designed to roll off the high harmonics of the overdrive and create a smooth low end—or you can leave some of them in for a more raspy bass.
FEATURES
Classic dual-band subharmonic architecture
Control
of valves, drive, and filter output Operates in three different frequency ranges to match program material
Analog modeling – no FFT catches!
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